Fast.Times

the visual & more

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I think I’m back

Summer has been slow and lazy, but rewarding. BIG things are happening this week to determine my immediate and distant future.

I’ve decided to return full time to Fast.Times.

I’m going to strive for mostly original content in order to explore and develop my writing. Stay tuned.

1 note

1by7:

“704?”
I have 704 friends on facebook (and growing[+]). I don’t have 704 friends in real life. I’ve been meaning to cut down this list to a solid 200 (or less), and 2012 is the time to start. This is just another internal struggle I have of wanting to delete facebook….but how will I be in the know!?
-Davis Levine

1by7:

“704?”

I have 704 friends on facebook (and growing[+]). I don’t have 704 friends in real life. I’ve been meaning to cut down this list to a solid 200 (or less), and 2012 is the time to start. This is just another internal struggle I have of wanting to delete facebook….but how will I be in the know!?

-Davis Levine

1 note

Sustainable design/Capitalism

(1) A sustainable economy requires, by definition, the internalisation of costs. It must learn cost and consequence and the relation of capability and possibility and implication. Capitalism practices, in contrast, the externalisation of cost, no matter the consequence; it postpones, eschews, ignores, diverts, puts off, limits and, above all, passes off (to others) the implications and costs of its own actions, and it enshrines those attitudes, stances and procedures in what it learns and fails to learn – and, of course, in what it teaches and fails to teach. In short, in respect of costs, it refuses to learn.

(2) Second, a sustainable economy is, by definition, a substantive economy. But thinking things substantively is not an option for capitalism, for which price (exchange value) is the only factor. For capital, if an item cannot be priced, it does not exist. As a previous footnote made clear, for capital, much of what is essential to the sustainable does not exist because it is not priced.[60]

(3) Third, for capitalism, the economy – or more exactly, accumulation – is the end. But in sustainability, the economy cannot be the end. If sustainability has an end, or a telos, it lies in the constitution and enactment of a sustaining hospitable metabolic habitus. But this means that learning in relation to the un-sustainable is (from the point of view of sustainability) a double necessity at minimum: it is the necessity of learning how to steer societies through the crises that will objectively beset them across the next decades; and it is, in parallel and in sequence, a learning as to what, globally and locally, might be entailed in creating and establishing “sustainability.” Learning from the point of view of capital is, however, a far more restrictive process; it is learning how to hold to what-is while developing just sufficient adaptive measures to stave off immediate crises (but only in the core economies; it will allow what it not essential to the world economy to fall into crisis).

(4) For sustainability, learning means, necessarily, learning how to establish affirmative and reconciliatory relations

between the “forces and relations” of production, both in the generality and in the specific forms that Badiou and Benjamin, for instance, offered us. But capital not only has no interest in this; it remains opposed, for it is precisely by operating within the lack of relation engendered here that private accumulation is enabled to create a surplus. Un-sustainability, in this picture, is itself the very dynamic of accumulation. What capital wishes to learn is not how to “overcome” the un-sustainable but how to keep it in being. The absolute contradiction between the possibility of sustainability and the aims, ambitions, logic and principles of organisation of capitalism is rooted here, in its maintenance of the blindness to the disjunction of relations, for it is this, and only this, that allows the principle of the extractive economy to reign.

“Sustainability as a Project of History” Clive Dilnot. Design Philosophy Papers

Selection from a reading for my art history 309 seminar on sustainable design. Really inciteful look into redeveloping the theoretical framework of what sustainability means, with a punch of anti-capitalism. This is only a really small tidbit in what the author offers but it’s well worth the read if you have any interest in sustainable design from a theoretical perspective

0 notes

The Return

Fast.Times was for a long time chronicling my adventures in Germany, however that time has long gone. Even though I’ve done some sporadic posts, this is the official grand re-opening.

Enjoy 

27 notes

MANIFESTO OF POST-FUTURISM

1. We want to sing of the danger of love, the daily creation of a sweet energy that is never dispersed.

2. The essential elements of our poetry will be irony, tenderness and rebellion.

3. Ideology and advertising have exalted the permanent mobilisation of the productive and nervous energies of humankind towards profit and war. We want to exalt tenderness, sleep and ecstasy, the frugality of needs and the pleasure of the senses.

4. We declare that the splendor of the world has been enriched by a new beauty: the beauty of autonomy. Each to her own rhythm; nobody must be constrained to march on a uniform pace. Cars have lost their allure of rarity and above all they can no longer perform the task they were conceived for: speed has slowed down. Cars are immobile like stupid slumbering tortoises in the city traffic. Only slowness is fast.

5. We want to sing of the men and the women who caress one another to know one another and the world better.

6. The poet must expend herself with warmth and prodigality to increase the power of collective intelligence and reduce the time of wage labour.

7. Beauty exists only in autonomy. No work that fails to express the intelligence of the possible can be a masterpiece. Poetry is a bridge cast over the abyss of nothingness to allow the sharing of different imaginations and to free singularities.

8. We are on the extreme promontory of the centuries… We must look behind to remember the abyss of violence and horror that military aggressiveness and nationalist ignorance is capable of conjuring up at any moment in time. We have lived in the stagnant time of religion for too long. Omnipresent and eternal speed is already behind us, in the Internet, so we can forget its syncopated rhymes and find our singular rhythm.

9. We want to ridicule the idiots who spread the discourse of war: the fanatics of competition, the fanatics of the bearded gods who incite massacres, the fanatics terrorised by the disarming femininity blossoming in all of us.

10. We demand that art turns into a life-changing force. We seek to abolish the separation between poetry and mass communication, to reclaim the power of media from the merchants and return it to the poets and the sages.

11. We will sing of the great crowds who can finally free themselves from the slavery of wage labour and through solidarity revolt against exploitation. We will sing of the infinite web of knowledge and invention, the immaterial technology that frees us from physical hardship. We will sing of the rebellious cognitariat who is in touch with her own body. We will sing to the infinity of the present and abandon the illusion of a future.

Franco Berardi aka Bifo, MANIFESTO DEL DOPOFUTURISMO [manifesto of post-futurism] via  eipcp.net (via underpaidgenius)

Futurism for the 21st century!

(via underpaidgenius)

618 notes

fucktheory:

Mourning and Ideology
More to the point, if you’re old enough to remember it, think back to the relentless outpouring of media grief following the death of Princess Diana of Angleterre, whose most significant lifetime accomplishment was getting married.  At least Kim Jong-il was actually leading his country, and had some kind of political-historical significance.  What do you suppose a North Korean would have made of video showing all of England paralyzed and sobbing at the sight of Elton John crooning “Candle In the Wind” at Diana’s funeral (a song, let us note, originally written to mark the overdose death of a Playboy bunny). 
Affect doesn’t correspond to rationality; it doesn’t correspond to good sense.  It does, however, correspond profoundly with the ideological systems which help us make sense of our emotions and sensations, and which produce for us taxonomies of feeling that are socially mediated. 
Having said that, nobody does Kim Jong-il quite like Margaret Cho.

fucktheory:

Mourning and Ideology

More to the point, if you’re old enough to remember it, think back to the relentless outpouring of media grief following the death of Princess Diana of Angleterre, whose most significant lifetime accomplishment was getting married.  At least Kim Jong-il was actually leading his country, and had some kind of political-historical significance.  What do you suppose a North Korean would have made of video showing all of England paralyzed and sobbing at the sight of Elton John crooning “Candle In the Wind” at Diana’s funeral (a song, let us note, originally written to mark the overdose death of a Playboy bunny). 

Affect doesn’t correspond to rationality; it doesn’t correspond to good sense.  It does, however, correspond profoundly with the ideological systems which help us make sense of our emotions and sensations, and which produce for us taxonomies of feeling that are socially mediated. 

Having said that, nobody does Kim Jong-il quite like Margaret Cho.

286 notes

coketalk:

“I have been in denial for some time, knowingly burning the candle at both ends and finding that it often gives a lovely light. But for precisely that reason, I can’t see myself smiting my brow with shock or hear myself whining about how it’s all so unfair: I have been taunting the Reaper into taking a free scythe in my direction and have now succumbed to something so predictable and banal that it bores even me. Rage would be beside the point for the same reason.”

Rest in peace, Mr. Hitchens. You were a beautiful and brilliant man. I’m going to miss you terribly.

(Source: coketalk)